Garage and residential systems
Detached and attached garages and interior concrete. On older slabs, expect the assessment to spend time on cracks, surface strength and moisture.
Historic Kenwood includes the Artist Enclave of Historic Kenwood, which the City identifies as having been created in 2014. For any project where the floor is part of the design, we recommend reviewing a sample panel rather than relying only on a catalogue photograph.
Detached and attached garages and interior concrete. On older slabs, expect the assessment to spend time on cracks, surface strength and moisture.
Studios, workrooms and interior living spaces. Metallic systems are decorative first, and pigment movement in the resin causes the finished pattern to vary from pour to pour.
Small commercial and shared spaces, specified against actual traffic and cleaning.
Choosing a system: epoxy vs. polyaspartic
Decide the finish before the schedule, because the finish changes how long the work takes.
Ask for a sample panel. For metallic and multi-color work especially, a panel made with your pigments, by the person who will pour your floor, under something like your lighting. A photograph from another job tells you what is possible, not what you will get.
Understand what varies. Substrate color, pigment batch, ambient temperature and humidity, application technique, and the topcoat sheen all move the result. Variation is inherent to the system. Agree in advance what range is acceptable.
Plan the space. Furniture out, not moved aside. Dust containment. Ventilation. Where pets and people go during the work and cure. Protection of the route in and out.
Then the schedule. Preparation, base, decorative layer, topcoat, cure. The floor may be walkable before it is ready for furniture or vehicles, so use the intervals listed for the selected product.
Estimate factors: design complexity and number of pigments, sample panels, preparation, repairs, moisture mitigation, system layers, access, protection, disposal, and cure or return-to-use requirements.
The Union Central District Plan names Historic Kenwood within its central study area and identifies the Artist Enclave of Historic Kenwood, created in 2014. The City's GIS neighborhood layer contains a Historic Kenwood association record.
What those establish: the neighborhood exists, roughly where it is, and that the Artist Enclave is a defined thing within it.
What they do not establish: that your parcel is inside a regulated historic district, that any preservation review applies to your project, or that properties there share a building type or slab condition. The Artist Enclave is not the whole neighborhood, and a historic survey is a research resource, not a designation of every property in it.
Any historic-district or property-review requirement must be confirmed for the specific address and scope. We raise that question during the estimate before work is scheduled.
Ask for one. For decorative work it is worth the delay.
No, and that is inherent to the system. It will be in the same family. If you need a predictable, repeatable appearance, a solid color or flake system is the better choice.
It changes the traffic, the ventilation planning and often the finish. Mention it early.
It depends on the parcel and the scope of work. We confirm the address-specific requirements before scheduling the project.
The topcoat can often be recoated. The metallic layer cannot be spot-repaired invisibly, because the pattern cannot be reproduced.
For the estimate, provide the space, approximate area, current surface, the look you want, and timing. Reference photographs help.
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